Daytide & Interview with the Author Chris Panatier
So for something different today, I have decided to start a little series of interviews with authors I think deserve more notice and attention. I hope you enjoy it and please let me know your thoughts!
Hi Chris, thank you for agreeing to do the interview with me!
Let’s start with what are you focused on right now- between your novel Shitshow’s debut and the very special, illustrated edition of Daytide, you have your fingers in all sort of interesting pies! What’s the main focus?
It does seem like I’m dancing about quite a lot lately. And that’s true to an extent. As you know, publication order does not always mirror the order in which you write things. I wrote DAYTIDE originally in 2020 and finished it in 2022 after two full re-writes. I wrote the bulk of SHITSHOW in 2023 and it sort of sat there while I worked on some other things. Then, early in 2025, the opportunities came to publish both, so that’s how that all happened. Having now done pretty much the final art and polishing of DAYTIDE for publication, I’ve turned my attention chiefly to two new projects. One is a horror novel I’m writing with a friend of mine that we are doing mostly for fun. The second is my 2027 novel for Angry Robot. Very excited about that one, but can’t say a lot about it now (not being cute, I’m still figuring it out myself).
I loved reading Daytide many moons ago, and remember thinking at the time that it has a real “cult favourite” potential. It’s a big book – what was the big idea behind it?
I remember you reading this book and giving me some great feedback! It is a big book! I remember being in college and law school and thinking that it was a crime against humanity that anyone would ask me to write a paper exceeding thirty pages and this thing tops out at over five hundred! Who am I? Anyhow, the big idea behind DAYTIDE was that I had answered a question my daughter posed about why churches have steeples. Now, my answer was entirely made up, and she understands that her father regularly makes up answers to her questions as a matter of entertainment, but it did get me thinking…what if steeples were an antenna of sorts, or a waypoint for beings from somewhere else? It all bloomed from that epicenter. Sprawled, you might say. To your point, I think most people who read DAYTIDE will find themselves in a type story they’ve not seen before.
The special edition includes a lot of your artwork. How does your art inform your writing and vice versa?
When I’m writing, all I’m thinking about is the writing. That isn’t to say that visualization isn’t important, because I’m doing that constantly as I’m drafting. I do think that I tend to paint my scenes cinematically, and that’s just how I think. As a visual artist, I’m a visual thinker. But I’m not possessed of any specific ideas about how I would paint or illustrate certain aspects of the story. On the other hand, the writing certainly informed the art that I ended up doing to accompany the story and I found myself reading back through it to make sure I had everything right, but also making my own decisions about visual details that I’d not given in the words. That’s one of the reasons I’m not rushing to put art with my stories. Most of the time I like to leave visualization up to the reader. But DAYTIDE was asking to be illustrated.
I really enjoy the playful aspect of your writing. You seem to really enjoy highlighting the grotesque in your books and visual arts. Do you simply enjoy them as a form of artistic freedom or do they serve another purpose as well?
If I have a modus operandi for my visual art and my writing, it is to be as evocative as I possibly can. And I suppose there’s a sort of sanguine joy pervading my descriptions, whether written or illustrated. I think that comes from my recognition that life isn’t to be taken for granted and I want to express my joy at being alive in everything I do. Part of that is by burying my teeth all the way up to the gums when I’m describing violence, body horror, or emotional arcs.
We live in very turbulent times. Do you use your writing as a means to process what is happening in the world or as a way to distract yourself from it?
I am one hundred percent using my writing to work through what is happening in the world. It’s not intentional, though it seems to be inevitable. From my debut THE PHLEBOTOMIST, through MORGAN BRIGHT, DAYTIDE, and even SHITSHOW, I’m attacking issues facing our society. Sometimes it’s very on the nose, and often it’s more of an oblique approach. But yeah, I can’t help but do it. And I do feel it helps me to understand our world better, even if I’m not solving all its problems.
The publishing industry is currently undergoing a lot of changes, not all of them great. What direction do you think publishing might go in the next few years?
Whew that’s a biggie. Some things about publishing are very exciting. I think indie is having a heyday right now. I publish on both sides of that ledger, with a steady diet of traditional work to go along with my indie stuff and there are well understood pros and cons to each. I think the best part of the indie world is the freedom. Look- I’m incredibly proud of SHITSHOW, but no traditional publisher was going to put that out. Sobelo Books did and it’s been very successful for them and for me. Indie is metal as fuck and I love that. Traditional pubs, on the other hand, mostly love to play it safe. They say they want to publish “genre-bending” work, but usually not until someone else has the courage to do it first. So, I have a pretty clear head about all that. At the end of the day, my job is to write. I don’t worry about where it will find a home or if it will find a home when I’m writing. On my toughest days, I try to remember that writing and creating are the things I love. If I can publish it too, then great.
What’s next for you?
Great question! I have stories coming out in the Punk2 Anthology as well as in the Taylor Swift “Look What You Made Me Do” horror anthology coming from Sobelo Books. DAYTIDE arrives on February 26, 2026, WORRY BOX hits shelves from Angry Robot on September 22, 2026, and then another horror novel in September of 2027. I also have yet another novel (KILL ME WITH FIRE) on submission right meeeeow!
You can grab an exclusive illustrated copy of Daytide here!
To learn more about Chris Panatier, check out his website!
The top three things which cause me to throw a book across the room
So the title is somewhat exaggerated. I don’t really throw books across the room, but when faced with any of the below, I most certainly close them with disgust. As nearly every fiction writer, I’m a reader first. And in my reading journey, I’ve come across many lapses of writerly/editorial judgement. Many forgivable. Most forgettable. But then again, there’s the other type…
Of course writing it subjective, and so what repels me, might be the height of entertainment for others. But here are some things I absolutely hate coming across in fiction:
- Pontificating is the top of the list. In the era of social media, being loud about every single thought running through our minds has become endemic. So much so that on occasion writers forget what their job it: to transport the reader into the world of their book. It is expressly not the place to copy and paste your least popular tweet, which you feel really ought to have gained more traction based on its pure incisiveness. Whether it’s politics you wish to discuss, or the state of education in your home country, or the way you think people REALLY OUGHT TO dress for an evening party, your book is not the place to vent those views. If it doesn’t serve the story, it belongs in the editorial bin.
- Gross self-inserts. I was reading a novel some time ago, by a rather well-known author, where the young, feisty female protagonist is mooned over (in the most inappropriate and creepy way, frankly) by her, let’s call him “mentor”. This mentor is much older, in a position of authority over the female protagonist, and has no qualities that could possibly be attractive to the object of his desire. Yet, at a pretty randomly chosen point, the girl notices him. She suddenly sees him in a different light. The bumbling, boring-as-toast older man becomes interesting and masculine in her eyes. Little things she never noticed before light up a fire within… For no reason. Literally nothing’s changed in the older man. He did nothing note-worthy (in front of the female protagonist at least). And as the pages droned on, one couldn’t help but see the somewhat disturbing similarities between the mentor character and the author. And of course, I wouldn’t begrudge anyone the private fantasy of “punching above one’s weight”. But when written down, it is painfully obvious that that’s exactly what it is: the author’s self-indulgent fantasy.
- Ye olde stylle of speech. Certain genres are particularly prone to this grievous sin. Sometimes a writer really really wants to show that the book is in fact set not in anything approaching a contemporary setting, but could very beautifully fit in the standards of the olden days. The temptation to rewrite everything in a style neigh incomprehensible to the modern reader can sometimes be too much to resist. The easiest way to indulge the urge is to pile in archaic vocabulary, mess with syntax, sprinkle in some schoolboy french and voila! A book with prose that resembles nothing in the history of the English language is ready! And while it doesn’t bother everyone equally, I find it distracting, occasionally hilarious (when eyes become “orbs” for example, to emphasise that before 1950s vocabulary was so much more refined), and mostly disappointing. There are many ways to transport a reader to a particular time and place. Misusing archaisms is not one of them.
My most anticipated books of 2021!
I thought what better way to celebrate the death of the awful 2020 but by celebrating the art that makes it all a bit more bearable?
So here are some of my most anticipated reads of 2021, in no particular order, if you’re wondering what this author likes to read in her spare time!
I can’t wait to get my teeth into all of them!
Rule of Wolves by Leigh Bardugo
The wolves are circling and a young king will face his greatest challenge in the explosive finale of the instant #1 New York Times-bestselling King of Scars Duology.
Firekeeper’s Daughter by Angeline Boulleey
Debut author Angeline Boulley crafts a groundbreaking YA thriller about a Native teen who must root out the corruption in her community, for readers of Angie Thomas and Tommy Orange.
As a biracial, unenrolled tribal member and the product of a scandal, eighteen-year-old Daunis Fontaine has never quite fit in, both in her hometown and on the nearby Ojibwe reservation. Daunis dreams of studying medicine, but when her family is struck by tragedy, she puts her future on hold to care for her fragile mother.
Now, Daunis must learn what it means to be a strong Anishinaabe kwe (Ojibwe woman) and how far she’ll go to protect her community, even if it tears apart the only world she’s ever known
The Witch’s Heart by Genevieve Gornichec
Angrboda’s story begins where most witches’ tales end: with a burning. A punishment from Odin for refusing to provide him with knowledge of the future, the fire leaves Angrboda injured and powerless, and she flees into the farthest reaches of a remote forest. There she is found by a man who reveals himself to be Loki, and her initial distrust of him transforms into a deep and abiding love.
Their union produces three unusual children, each with a secret destiny, who Angrboda is keen to raise at the edge of the world, safely hidden from Odin’s all-seeing eye. But as Angrboda slowly recovers her prophetic powers, she learns that her blissful life—and possibly all of existence—is in danger.
With help from the fierce huntress Skadi, with whom she shares a growing bond, Angrboda must choose whether she’ll accept the fate that she’s foreseen for her beloved family…or rise to remake their future. From the most ancient of tales this novel forges a story of love, loss, and hope for the modern age.
Composite Creatures by Caroline Hardaker
How close would you hold those you love, when the end comes?
In a society where self-preservation is as much an art as a science, Norah and Arthur are learning how to co-exist in their new little world. Though they hardly know each other, everything seems to be going perfectly – from the home they’re building together to the ring on Norah’s finger. But the earth is becoming increasingly hostile to live in. Fortunately, Easton Grove is here for that in the form of a perfect little bundle to take home and harvest. You can live for as long as you keep it – or her – close.
The Jasmine Throne by Tasha Suri
Author of Empire of Sand and Realm of Ash Tasha Suri’s The Jasmine Throne, beginning a new trilogy set in a world inspired by the history and epics of India, in which a captive princess and a maidservant in possession of forbidden magic become unlikely allies on a dark journey to save their empire from the princess’s traitor brother.
Sistersong by Lucy Holland
King Cador’s children inherit a land abandoned by the Romans, torn by warring tribes. Riva can cure others, but can’t heal her own scars. Keyne battles to be seen as the king’s son, although born a daughter. And Sinne dreams of love, longing for adventure.
All three fear a life of confinement within the walls of the hold, their people’s last bastion of strength against the invading Saxons. However, change comes on the day ash falls from the sky – bringing Myrdhin, meddler and magician. The siblings discover the power that lies within them and the land. But fate also brings Tristan, a warrior whose secrets will tear them apart.
Riva, Keyne and Sinne become entangled in a web of treachery and heartbreak, and must fight to forge their own paths. It’s a story that will shape the destiny of Britain.
The Gilded Ones by Namina Forna
Sixteen-year-old Deka lives in fear and anticipation of the blood ceremony that will determine whether she will become a member of her village. Already different from everyone else because of her unnatural intuition, Deka prays for red blood so she can finally feel like she belongs.
But on the day of the ceremony, her blood runs gold, the color of impurity–and Deka knows she will face a consequence worse than death.
Then a mysterious woman comes to her with a choice: stay in the village and submit to her fate, or leave to fight for the emperor in an army of girls just like her. They are called alaki–near-immortals with rare gifts. And they are the only ones who can stop the empire’s greatest threat.
Knowing the dangers that lie ahead yet yearning for acceptance, Deka decides to leave the only life she’s ever known. But as she journeys to the capital to train for the biggest battle of her life, she will discover that the great walled city holds many surprises. Nothing and no one are quite what they seem to be–not even Deka herself.
This Poison Heart by Kalynn Bayron
Briseis has a gift: she can grow plants from tiny seeds to rich blooms with a single touch.
When Briseis’s aunt dies and wills her a dilapidated estate in rural New York, Bri and her parents decide to leave Brooklyn behind for the summer. Hopefully there, surrounded by plants and flowers, Bri will finally learn to control her gift.
When strangers begin to arrive on their doorstep, asking for tinctures and elixirs, Bri learns she has a surprising talent for creating them. One of the visitors is Marie, a mysterious young woman who Bri befriends, only to find that Marie is keeping dark secrets about the history of the estate and its surrounding community.
Up against a centuries-old curse and the deadliest plant on earth, Bri must harness her gift to protect herself and her family.
Witches Steeped In Gold by Ciannon Smart
Iraya Adair has spent her life in a cell. Heir of an overthrown and magically-gifted dynasty, she was exiled from her home on the island nation of Aiyca when she was just a child. But every day brings her closer to freedom – and vengeance.
Jazmyne Cariot grew up dressed in gold, with stolen magic at her fingertips. Daughter of the self-crowned doyenne, her existence is a threat to her mother’s rule. But unlike her sister, Jazmyne has no intention of dying to strengthen her mother’s power.
Sworn enemies, the two witches enter a deadly alliance to take down the woman who threatens both their worlds.
But revenge is a bloody pursuit, and nothing is certain – except the lengths Iraya and Jazmyne will go to win this game.
Two witches. One motive. And a very untrustworthy alliance.
The Betrayals by Bridget Collins
In an exclusive institution tucked away in the mountains the best and brightest study an arcane and mysterious game, as they have for centuries. But times are changing, and traditions being overturned – the truth will come out…
Lore by Alexandra Bracken
Every seven years, the Agon begins. As punishment for a past rebellion, nine Greek gods are forced to walk the earth as mortals, hunted by the descendants of ancient bloodlines, all eager to kill a god and seize their divine power and immortality.
Long ago, Lore Perseous fled that brutal world in the wake of her family’s sadistic murder by a rival line, turning her back on the hunt’s promises of eternal glory. For years she’s pushed away any thought of revenge against the man–now a god–responsible for their deaths.
Yet as the next hunt dawns over New York City, two participants seek out her help: Castor, a childhood friend of Lore believed long dead, and a gravely wounded Athena, among the last of the original gods.
A Psalm of Storm and Silence by Roseanne A. Brown
The highly anticipated second—and final—book in the immersive fantasy duology.
Karina lost everything after a violent coup left her without her kingdom or her throne. Now the most wanted person in Sonande, her only hope of reclaiming what is rightfully hers lies in a divine power hidden in the long-lost city of her ancestors.
Meanwhile, the resurrection of Karina’s sister has spiraled the world into chaos, with disaster after disaster threatening the hard-won peace Malik has found as Farid’s apprentice. When they discover that Karina herself is the key to restoring balance, Malik must use his magic to lure her back to their side. But how do you regain the trust of someone you once tried to kill?
As the fabric holding Sonande together begins to tear, Malik and Karina once again find themselves torn between their duties and their desires. And when the fate of everything hangs on a single, horrifying choice, they each must decide what they value most—a power that could transform the world, or a love that could transform their lives.
She Who Became The Sun by Shelley Parker-Chan
She’ll change the world to survive her fate . . .In Mongol-occupied imperial China, a peasant girl refuses her fate of an early death. Stealing her dead brother’s identity to survive, she rises from monk to soldier, then to rebel commander. Zhu’s pursuing the destiny her brother somehow failed to attain: greatness. ..
Editing the New Thing and the Sparkly Ideas
I’m waiting for my agent to finish reading through my big picture edits (see the last post) of my adult fantasy novel, let’s call it novel X.
What does one do in this time, except drive themselves mad with anxiety? Well, if you’re me, you have a very long list of to-do jobs. When I was querying and then waiting for my agent’s edit points, I completed my YA fantasy novel, set in the world of Slavic sea myths. And now is the perfect time to do the edits on that draft. The. Perfect. Time. So what do I do? I come up with a shiny Middle Grade novel idea that keeps me up at night and sends me to the reference texts for research.
I bat it away and plow away at the YA novel, which I am enjoying, I truly am. And it keeps coming back. Just one sentence, just the opening line… it whispers in my ear. And twenty minutes later I find I wrote the opening scene.
“No!” I shout and go back to my edits. To the edits of that really hard scene in the middle, where the dialogue just didn’t feel quite right and I need to change that one word but I don’t know to what…
Still, the new shiny idea beckons, as I grapple with the muddle of a scene.
Just the rough outline. It’s in your head anyway. You might as well write it down before you forget. Because you will forget. Remember that short story you dreamt up? The one you don’t remember, because you didn’t write it down?
“It was a stupid idea. All I could remember was a live sea being carved up by aliens.”
Perhaps. But you remembered how it feeeelt…
And so I obligingly tap-tappity-tap away on my keyboard.
But I’m at my favourite café today, sipping a latte and feeling strong! So no more distractions, no more diversions, no more interruptions!
But you have this dialogue in your head already… Maybe you can just…
SHUT UP!
Books by Women
I have recently come across a Twitter thread by the wonderful Joanne Harris where she quoted a review of her own book, Chocolat, where the author of the review chose to describe it as a tale of a a single mother who liked chocolate. I kid you not.
That prompted an extensive conversation and wide-spread mockery of course, focused around how women’s books are often misrepresented simply because they are written by women. There’s a reason why Robin Hobb and JK Rowling chose to stay gender-neutral on the covers. Books by women are perceived differently. Let’s start with the sad fact that a lot of men will glance over a book written by a woman, assuming straight off that its intended audience are women. Nobody makes a similar assumption about books written by men.
It made me think about all the wonderful, nuanced titles by female authors which have been overlooked or miscategorised because of their authors’ gender. If a book is written by a woman and it has a hint of romance in it, the entire thing can be conveniently dumped in a “romance genre”. If it portrays family relationships or female friendships, it can be chick-lit and nothing more.
But when a man writes about the exact same subject we often automatically bestow an assumption of gravitas onto the work.
Now I’m not trying to be overly critical of the romance genre at all. There are some wonderfully written books in that genre, just like everywhere else. But it is undeniable that most men will not touch anything that has been dumped into that category with a ten-foot pole.
My favourite book of all time, one which I reread once every year or two, is The Blue Castle by Lucy Maud Montgomery. I would argue it’s a tremendously sensitive portrayal of loneliness and the habit-forming resignation to a life of social exclusion and anonymity. It shows the crippling fear of poverty, and female poverty especially, which has such power that it can stunt personal growth and thwart even the most modest of personal ambitions. It also describes the strength and determination required to break free, and the exhilaration which follows it.
But The Blue Castle is by no means a terribly famous or popular book. It’s seen as a romance and the subtlety and charm of it are stripped in the descriptions of it. You can buy it in paperback generally, with tacky, pastel covers usually reserved for Harlequin editions. The kind of covers which instantly signal “This is for women only”.
And all I want to ask is “why”? Not just why are women authors thus undervalued and misrepresented, but why are we depriving men of what could be, without a doubt, an oft wonderful reading experience.
Character sketches
Now for something entirely different… When I write I like to do a few sketches here and there: mostly of my characters and maps, though I have in the past done larger illustrations too. I thought I would share a few of them.
It serves a purpose further than just indulging my love for art. It fixes the characters in my mind. Though they might and often do change within the time it takes me to complete a manuscript, taking the time to pause and commit their features to paper gives me a sense of where they are and where they’re going. And once the manuscript is indeed finished, it’s interesting to look back and see the snapshot of how I imagined certain elements of my WiP at each moment in time.